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This House Is Not for Sale: A Novel, by E.C. Osondu
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The award-winning author of Voice of America paints a vivid, fully imagined portrait of an extraordinary African family and the house that holds them together.
A powerful tale of family and community, This House Is Not for Sale brings to life an African neighborhood and one remarkable house, seen through the eyes of a young member of the household. The house lies in a town seemingly lost in time, full of colorful, larger-than-life characters; at the narrative’s heart are Grandpa, the family patriarch whose occasional cruelty is balanced by his willingness to open his doors to those in need, and the house itself, which becomes a character in its own right and takes on the scale of legend.
From the decades-long rivalry between owners of two competing convenience stores to the man who convinces his neighbors to give up their earthly possessions to prepare for the end of the world, Osondu’s story captures a place beyond the reach of the outside world, full of superstitions and myths that sustain its people.
Osondu’s prose has the lightness and magic of fable, but his themes—poverty, disease, the arrival of civilization in an isolated community—are timeless and profound. At once full of joyful energy and quiet heartbreak, This House Is Not for Sale is an utterly original novel from a master storyteller.
- Sales Rank: #1596919 in Books
- Published on: 2015-02-03
- Released on: 2015-02-03
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .73" w x 5.50" l, .0 pounds
- Binding: Hardcover
- 192 pages
Review
“The home in the magisterial This House Is Not For Sale becomes much more than a building. The structure defines and divides a family over generations. Osondu has more to say about life and love than most of the classic novels we adore.” (Essence)
“Remarkable. . . . Though Osondu tips his hat to tradition, this book is a distinctive and singular achievement, all the more remarkable for being a debut novel.” (Jeffery Renard Allen, author of Song of the Shank)
“A marvelous chorus of community voices chimes in, passionately commenting on the action. . . . Osondu uses the house as a prism through which to depict the events of the neighborhood, proving that our stories outlive the places we inhabit.” (Publishers Weekly (starred review))
“Vivid. . . . Beguiling in their simplicity and resonant in their universal themes, This House is Not for Sale offers a striking appraisal of people’s basest ambitions.” (Booklist)
“Osondu brings his characters to life with love. The dialogue, flavored by its ever-present chorus of unnamed voices, sparkles with humor, playful wickedness, and zest. Osondu gives us a strong and joyful sense of place in this novel. . . . A celebration of a place and its people.” (BookBrowse)
“The timelessness of this ambitious debut reminds the reader of J. M. Coetzee’s Life & Times of Michael K. The characters, sheltered by a house from which they also try to shelter themselves, tell the stories of every one of us.” (Yiyun Li, author of The Vagrants)
“A very modern, compassionate voice. . . . Osondu is ceaseless in his willingness to examine the human condition in all its glories and frailties.” (Kirkus)
From the Back Cover
“The timelessness of this ambitious debut reminds the reader of J. M. Coetzee’s Life & Times of Michael K.”—Yiyun Li, author of The Vagrants
A powerful tale of family and community, This House Is Not for Sale brings to life an African neighborhood and one remarkable house, seen through the eyes of a young member of the household. It lies in a town seemingly lost in time, full of colorful, larger-than-life characters. At the narrative’s heart are Grandpa, the family patriarch, whose occasional cruelty is balanced by his willingness to open his doors to those in need, and the house itself, which becomes a character in its own right and takes on the scale of legend.
From the decades-long rivalry between the owners of two competing convenience stores to the man who persuades his neighbors to give up their earthly possessions to prepare for the end of the world, E. C. Osondu’s story captures a place beyond the reach of the outside world, full of superstitions and myths that sustain its people. His prose has the lightness and magic of fable, but his themes—poverty, disease, the arrival of civilization in an isolated community—are timeless and profound.
“Remarkable. . . . a distinctive and singular achievement.”—Jeffery Renard Allen, author of Song of the Shank
“Marvelous.”—Publishers Weekly (starred review)
About the Author
E. C. Osondu is the author of Voice of America. Born in Nigeria, he received his MFA from Syracuse University and is the winner of the Caine Prize for African Writing and a Pushcart Prize. His fiction has appeared in The Atlantic, n+1, Guernica, and other publications. He teaches at Providence College in Rhode Island.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Very readable & full of ideas
By Alfred J. Kwak
A novel or a collection of short stories? Each brief chapter is named after a person living in or associated with the Family House overseen by Grandpa, a Nigerian entrepreneur who puts its docile occupants to work for him. It is also a famous place of refuge for people who have failed in life. It reads like a fairy tale and contains many elements from Christianity, Islam and traditional beliefs. No character relies on just one belief system to explain death, infertility, sickness, or failure in business or love.
How and why it was built is described full of magic in Ch. 1. The overcrowded Family House and the street noise invoke VS Naipaul’s early novels and works of fellow African writers. Here, E. C.. Osondu, writing in basic English and in fewer words than others, appears to illustrate the Ten Commandments via hard luck stories. And each case story is judged upon by Grandpa and commented on by a chorus of street people like in Ancient Greek theatre, representing public opinion, gossip, persecution and defence. This stylistic inclusion adds an extra dimension to this attractive and challenging novel.
Challenging why? Some readers may find some casually-raised ideas rather more universal. A small example: Osondu describes the practise of appeasing a river goddess via a significant sacrifice before building a bridge. Ismail Kadare described how a human sacrifice in 13th century Albania was meant to guarantee durability. In Indonesia, bulls are sacrificed where earlier, e.g. on the Sumatran island of Nias and other locations, human sacrifices were common. On all three continents “for strength” of construction. Unpretentious and concise.
3 of 3 people found the following review helpful.
The clash of the modern with the archaic is beautifully illustrated, showing a community that draws from it's ...
By bhabhu39
This novel is told in the tradition of African folktales where what binds the story is Grandpa the patriarch, who is at times benevolent and at other times unforgiving, the Family House which becomes a "character" in and of itself and the community, who are the "voices" that respond to the call from the storyteller, a young person. It is at once a universal story
of community, (love, birth, death, feast and famine, wealth and poverty, loss and gain, politics and religion) as well as a unique tale of a single community with its own idiosyncratic dynamics. The story opens with the building of the House, and everything in between and ends with the demise of the House. The only voices remaining are the community and our young story teller. The novel is replete with Igbo idiom and folklore and each chapter, though named for a person who is central to that story, reveals the manner in which the community engages with the complex issues presented by the characters as well as how Grandpa wields his power. The clash of the modern with the archaic is beautifully illustrated, showing a community that draws from it's native ways of being when the new ways offer no solutions. This novel is a refreshing tale and the use of allegory is masterful. I highly recommend it.
0 of 1 people found the following review helpful.
Interesting concept, but...
By Kindle Customer
This was a recent selection by for our book club, but we are all in agreement that it did not hold together as a novel. Each individual chapter was more structurally written as a fable. There was no common thread that provided cohesion to the chapters beyond the house and that simply was not enough.
Finally, the ending felt haphazard and poorly conceived. It was anticlimactic, but then the story never really went any place.
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